This winter’s must-read nonfiction book in New Delhi, Mumbai, and Bangalore is India: A Portrait by British historian and writer Patrick French. Its upbeat portrayal of a nation that has shrugged off torpor to become the world’s second-fastest growing major economy has attracted a raft of reviews that neatly illustrate a divide among India-watchers on which way the country is headed.
First, the naysayers. Pankaj Mishra, a regular contributor to the New York Review of Books and the Guardian, excoriates French in Outlook magazine. He accuses French of conducting an “armchair exercise,” and parroting “the rosy Western view of India.” Mishra bemoans “the worldwide corporate hunt for new sources of profit” that has made India fashionable, and points out that the country still houses several hundred million poor people. He accuses French of being influenced by “the right-wing Friedmans” (Milton and Thomas).
In the Guardian, the Booker Prize-winning novelist Aravind Adiga, author of The White Tiger, compares French’s efforts unfavorably with other well-known India books: He accuses French of lacking the depth of V.S. Naipaul’s classic A Million Mutinies Now, and the timeliness of Financial Times correspondent Ed Luce’s In Spite of the Gods. But Adiga’s real problem appears to be French’s obvious affection for the country he writes about, and his agreement with the optimistic view that, on balance, things are better in India today than at any time since independence in 1947. Given the scale of the challenges India still faces, Adiga finds this irresponsible: “For the greatest danger to the nation’s future is no longer poverty or Pakistan, but overconfidence.”
Salil Tripathi in the Independent agrees broadly with French’s optimistic yet sober take on India’s progress: “Two things are clear: large numbers of people have been lifted out of extreme poverty, and around one quarter of the population have so far gained very little.”
In the Wall Street Journal, I share this view. As I see it, a few quibbles aside, French has written as accurate an account of India’s uneven rise as any:
Mr. French doggedly explores India’s underbelly: Maoism, the Kashmir insurgency, bonded labor, police malfeasance, hereditary politics, and rampant corruption. But, unlike many Indian intellectuals, he doesn’t lose sight of the bigger picture: a democratic polity, a rapidly growing economy, and an essentially tolerant society. Optimism about India may be exaggerated, but it’s far from unwarranted.











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